ABOUT ME
Guitarist. Composer.
He performs his compositions with symphony orchestras, having headlined the Roman theatre of Dougga with the Barcelona Youth Symphony Orchestra, and appeared as guest of honour at the Carthage International Festival. His debut album “A Dream Come True,” mastered by Bernie Grundman, releases worldwide via Right Track/Universal Music on 26 November 2026.
Music
new album coming in November 2026 under Right Track/Universal in digital, CD and vinyl editions
- 01 - How To Get There
- 02 - All For You
- 03 - Once
- 04 - Echoes Of Life
- 05 - Dot To Dot
- 06 - Happy Fives
- 07 - A Dream Come True
- 08 - Rise And Shine
- 09 - The First Half
- 10 - The Other Half
- 11 - Timeless
- 12 - Till We Meet Again
- 01 - How To Get There
- 02 - All For You
- 03 - Once
- 04 - Echoes Of Life
- 05 - Dot To Dot
- 06 - Happy Fives
- 07 - A Dream Come True
- 08 - Rise And Shine
- 09 - The First Half
- 10 - The Other Half
- 11 - Timeless
- 12 - Till We Meet Again
STEVE VAI
Sincere congrats on this massive project.
You did it!!!! I mean, you really did it.
It’s really quite fantastic to my ears.
Very rare to hear orchestra and guitar like this.
It’s sounds fresh, free and artistic. Did I say Wow?
JOE SATRIANI
Congratulations on finishing your album! Big, cinematic sounding tracks with shimmering mixes
Vinnie Colaiuta
Congratulations 🎉!!!!!
And thank you for having me be a part of it! I applaud you.
You had encouragement and acted upon it.
And that begat more encouragement and confidence
and joy. Bravo!
MARCO MINNEMANN
I just listened to your album and it sounds wonderful.
Very cool and elegant production.
Wishing you success and happiness with it.
Mohini Dey
I recorded on this a while back and to hear the finished product is amazing! Go check it out. This album has some incredible musicians.
In DOUGGA
Nor.Be and His Seven Guitars
Beneath Dougga’s ancient sky, Nor.Be stood before seven guitars—each a distinct voice.
He moved among them with intent, drawing out unique tones, pausing, exploring.
Some whispered brief textures; others carried soul-baring solos.
Facing a distant symphony orchestra, he wove electric tension with classical grace.

























His guitar didn’t just play—it spoke.
In the Roman theater’s quiet grandeur, his performance felt timeless, like past and present merging through sound.


